• Introduction


• The Lost Club (1890)


• The Great God Pan (1894)


• The Inmost Light (1894)


• The Three Impostors; or, the Transmutations (1895)


• The Shining Pyramid (1895)


• The Red Hand (1895)


• From Ornaments in Jade (1897, 1924)


• Psychology, or, Fragments of Paper


• The Rose Garden


• The Ceremony


• The Turanians


• The White People (1899)


• The Bowmen (1914)


• Out of the Earth (1915)


• The Coming of the Terror (1917)


• The Islington Mystery (1927)


• N (1935)


• The Children of the Pool (1936)


• Ritual (1937)


• References


• Further Reading

Aaron Worth is Associate Professor of Rhetoric at Boston University, having previously taught courses in English and American literature at Brandeis University. His book Imperial Media: Colonial and Information Systems in the British Literary Imagination, 1857-1918 was published by Ohio State UP in 2014 (reviewed in ILS and widely in scholarly journals; paperback edition in 2016). He has published essays on Victorian literature and culture in leading journals including Victorian Studies, Victorian Literature and Culture, and Victorian Poetry, as well as original horror fiction in magazines including Cemetery Dance and Aliterate. Worth is the author of the entry on Horror Fiction in the recent Blackwell's Encyclopedia of Victorian Literature (2015).

Arthur Machen is a significant figure in supernatural and horror literature, in the genre of 'weird fiction'. This collection brings together his best horror tales with a full contextual introduction and which helps to illuminate Machen's place in the literary and cultural milieu of 1890s Britain.