Philip Ridley was born and grew up in the East End of London. He studied painting at St Martin's School of Art. He has written many highly regarded and hugely influential stage plays: the seminal The Pitchfork Disney (now published as a Methuen Modern Classic), The Fastest Clock in the Universe (winner of a Time Out Award, the Critics' Circle Award for Most Promising Playwright, and the Meyer-Whitworth Prize), Ghost from a Perfect Place, Vincent River (nominated for the London Festival Fringe Best Play Award), the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights (nominated for the WhatsOnStage Mobius Award for Best Off West End Production), Tender Napalm (nominated for the London Fringe Best Play Award), Shivered (nominated for the OffWestEnd Best New Play Award), Dark Vanilla Jungle (winner of an Edinburgh Festival Fringe First Award), Radiant Vermin (now published as a Methuen Modern Classic), Tonight With Donny Stixx, Karagula (nominated for the OffWestEnd Best New Play Award), The Beast of Blue Yonder, The Poltergeist (winner of the OffWestEnd OnComm Award for Best Live Streamed Play) and Tarantula; plus several plays for young people (collectively known as The Storyteller Sequence): Karamazoo, Fairytaleheart, Moonfleece (named as one of the 50 Best Works About Cultural Diversity by the National Centre for Children's Books), the seminal Sparkleshark (the first of the Connections Festival plays - all written for young people - to be staged professionally by the National Theatre), and Brokenville; also, Feathers in the Snow (shortlisted for the Brian Way Best Play Award).

'Look - they're fading. Those liars. Dissolving . . . It's the end of their world . . . The birth of a new one . . . Our one . . . Our world.'

It's Mother's Day and mother is dead. Now her two sons gather in her home to argue about the truth of their childhood. But a storm is approaching . . . with a violent new truth all of its own.

Piranha Heights is non-stop, filthily poetic and a searing insight into the disenchantment of young people today.

This edition, featuring a revised script, published to coincide with play's revival at the Old Red Lion, London, in November 2014.
Praise for Leaves of Glass: 'Like a shard of glass plunged straight to the heart . . . superb.' Guardian