Interdisciplinary perspectives on the life and work of the esteemed "ultra-modern" American composer and pioneering folk music activist (1901-53).

Writing the Music of Ruth Crawford into Mainstream Music History - Judith Tick
Ruth Crawford's Precompositional Strategies - Joseph N. Straus
Linear Aggregates and Proportional Design in Ruth Crawford's Piano Study in Mixed Accents - Lyn Burkett
In Pursuit of a Proletarian Music: Ruth Crawford's "Sacco, Vanzetti" - Ellie M. Hisama
The Receptioin of an Ultramodernist: Ruth Crawford in the Composers' Forum - Melissa J. de Graaf
Ruth Crawford's Imprint on Contemporary Composition - Nancy Yunhwa Rao
Reminiscences on Our Singing Country: The Crawford Seeger/ Lomax Alliance - Bess Lomax Hawes
Philosophical Counterpoint: A Comparison of Charles Seeger's Compositioin Treatise and Ruth Crawford Seeger's Folk Song AppendixAppendix - Taylor A. Greer
Composing and Teaching as Dissonant Counterpoint - Roberta Lamb
"Cultural Strategy": The Seegers and B.A. Botkin as Friends and Allies - Jerrold Hirsch
Performing Dio's Legacy: Mike Seeger and the Urban Folk Music Revival - Ray Allen, Book Reviews
Peggy Seeger: From Traditional Folksinger to Contemporary Songwriter - Lydia Hamessley