A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.

Introduction
"Marvelous Muscles": A History of Ezekiel Dlamini, the Real "King Kong"
Creating a "Back of the Moon": The Union of Southern African Artists and Interracial Collaboration Behind the "All-African" Musical
"Quickly in Love": Popular Receptions of 1959 King Kong and Entertaining the Possibilities of a Different South Africa(s)
"Kwela Kong": The Trials and Tribulations of a South African Musical Abroad in 1961
"Sad Times, Bad Times": Issues of Exile, the King Kong Cast, and South African Jazz in Britain, 1961-1980
"The Boy's [and Girl's] Doin' It":Moving to America and Re-Discovering Africa, 1960-1989
"Death Song": The 1979 Remake of King Kong And the Power of Cultural Memories Under Apartheid
Bibliography