From Washington Square Park and the Gaslight Caf? to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the folk music revival of the 1950s and 60s. Folk City explores New York's central role in fueling the nationwide craze for folk music in postwar America. It involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers - and, of course, musicians and audiences.
In Folk City, authors Stephen Petrus and Ron Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists space to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social conventions. Accessible and engaging, fresh and provocative, rich in anecdotes and primary sources, Folk City is lavishly illustrated with images collected for the accompanying major exhibition at the Museum of the City of New York in 2015.

Stephen Petrus is an Andrew W. Mellon Research Fellow at the New-York Historical Society, where he is working on his second book, a political and cultural history of Greenwich Village in the 1950s and 60s. At the Museum of the City of New York, he curated the exhibition Folk City, on view until January 10th, 2016, and was co-author of the show's accompanying book, with historian Ronald D. Cohen. Petrus has published essays on twentieth-century U.S. urban and cultural history. He received his Ph.D. in history from the City University Graduate Center and taught at Lehman College in the Bronx. He currently lives in Brooklyn.
Ronald D. Cohen is Emeritus Professor of History at Indiana University Northwest in Gary, Indiana. He is the author of numerous books on the history of folk music including The Pete Seeger Reader (OUP, 2014) and was the co-producer/writer of the 10-CD boxed set Songs for Political Action: Folk Music, Topical Songs and the American Left, 1926-1954 (1996).

Foreword by Peter Yarrow
Chapter 1 - New York and the Origins of the Folk Music Revival
Chapter 2 - Making a Business Out of It
Chapter 3 - The Battles of Washington Square Park
Chapter 4 - The Village Scene in the Early 1960s
Chapter 5 - Political Activism and the Folk Music Revival
Chapter 6 - Bob Dylan Is Talkin' New York