Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses. The Oxford Handbook of Synesthesia brings together a broad body of knowledge about this conditions into one definitive state-of-the-art handbook.

• Part 1: Origins of Synesthesia


• 1: Donielle Johnson, Carrie Allison, and Simon Baron-Cohen: The prevalence of synesthesia: The consistency revolution


• 2: Julian E. Asher and Duncan A. Carmichael: The genetics and inheritance of synaesthesia


• 3: Daphne Maurer, Laura C. Gibson, and Ferrinne Spector: Synesthesia in infants and very young children


• 4: Julia Simner and Edward M. Hubbard: Synesthesia in school-aged children


• 5: Peter Hancock: Synesthesia, alphabet books, and fridge magnets


• Part 2: Synesthesia, Language, and Numbers


• 6: Roi Cohen Kadosh and Avishai Henik: Numbers, synesthesia, and directionality


• 7: Clare Jonas and Michelle Jarick: Synesthesia, sequences, and space


• 8: Julia Simner: The 'rules' of synesthesia


• 9: Aleksandra Mroczko-Wasowicz and Danko Nikolic: Colored alphabets in bilingual synesthetes


• 10: Fiona N. Newell: Synesthesia, meaning, and multilingual speakers


• 11: Wan-Yu Hung: Synesthesia in non-alphabetic languages


• 12: Monika Sobczak-Edmans and Noam Sagiv: Synesthetic personification: The social world of graphemes


• Part 3: Attention and Perception


• 13: Tessa M. van Leeuwen: Individual differences in synesthesia


• 14: Anina N. Rich and Jason B. Mattingley: The role of attention in synesthesia


• 15: Chai-Youn Kim and Randolph Blake: Revisiting the perceptual reality of synesthetic color


• 16: Bryan D. Alvarez and Lynn C. Robertson: Synesthesia and binding


• 17: Tanja C. W. Nijboer and Bruno Laeng: Synesthesia, eye-movements, and pupillometry


• 18: Alicia Callejas and Juan Lupi áñ ez: Synesthesia, incongruence, and emotionality


• Part 4: Contemporary and Historical Approaches


• 19: Jörg Jewanski: Synesthesia in the nineteenth century: Scientific origins


• 20: Richard E. Cytowic: Synesthesia in the twentieth century: Synesthesia's renaissance


• 21: Christopher T. Lovelace: Synesthesia in the twenty-first century: Synesthesia's ascent


• 22: Christine Mohr: Synesthesia in space versus the 'mind's eye': How to ask the right questions


• 23: Markus Zedler and Marie Rehme: Synesthesia: A psychosocial approach


• Part 5: Neurological Basis of Synesthesia


• 24: Edward M. Hubbard: Synesthesia and functional imaging


• 25: Romke Rouw: Synesthesia, hyperconnectivity, and diffusion tensor imaging


• 26: Peter H. Weiss: Can gray matter studies inform theories of (grapheme-color) synesthesia?


• 27: Kevin J. Mitchell: Synesthesia and cortical connectivity: A neurodevelopmental perspective


• 28: Lutz Jäncke: The timing of neurophysiological events in synaesthesia


• 29: Neil G. Muggleton and Elias Tsakanikos: The use of transcranial magnetic stimulation in the investigation of synesthesia


• 30: Michael J. Banissy: Synesthesia, mirror neurons, and mirror-touch


• Part 6: Costs and Benefits: Creativity, Memory, and Imagery


• 31: Catherine M. Mulvenna: Synesthesia and creativity


• 32: Cretien van Campen: Synesthesia in the visual arts


• 33: Patricia Lynne Duffy: Synesthesia in literature


• 34: Carol Steen and Greta Berman: Synesthesia and the artistic process


• 35: Beat Meier and Nicolas Rothen: Synesthesia and memory


• 36: Mary Jane Spiller and Ashok S. Jansari: Synesthesia and savantism


• 37: Mark C. Price: Synesthesia, imagery, and performance


• Part 7: Cross-Modality in the General Population


• 38: Lawrence E. Marks: Weak synesthesia in perception and language


• 39: Cesare Parise and Charles Spence: Audiovisual cross-modal correspondences in the general population


• 40: Argiro Vatakis: Cross-modality in speech processing


• 41: Vincent E. Walsh: Magnitudes, metaphors, and modalities: A theory of magnitude revisited


• 42: Laurent Renier and Anne G. De Volder: Sensory substitution devices: Creating 'artificial synesthesias'


• 43: Christine Cuskley and Simon Kirby: Synesthesia, cross-modality, and language evolution


• Part 8: Perspectives on Synesthesia


• 44: Sean A. Day: Synesthesia: A first-person perspective


• 45: Noam Sagiv and Chris D. Frith: Synesthesia and consciousness


• 46: Brian L. Keeley: What exactly is a sense?


• 47: Mary-Ellen Lynall and Colin Blakemore: What synesthesia isn't


• 48: V. S. Ramachandran and David Brang: From molecules to metaphor: Outlooks on synesthesia research


• 49: Jamie Ward: Synesthesia: Where have we been? Where are we going?

Dr. Julia Simner is an experimental neuropsychologist and leading expert in the field of synaesthesia research. She has a background in psychology, languages and linguistics from the Universities of Oxford, Toronto and Sussex, and she currently runs the Synaesthesia and Sensory Integration lab at the University of Edinburgh, Scotland. Her work focusses on the sensory, cognitive, linguistic, developmental, and historical bases of synaesthesia, and has been published in high impact science journals such as Nature, Trends in Cognitive Science and Brain. She is keenly interested in facilitating the public's understanding of science and her work has been reported in over 100 media articles world-wide, including the NY Times, BBC, CBC, Telegraph, Times, New Scientist, Scientific American etc. In 2010 she was recognised as an outstanding European scientist by the European Commission's Atomium Culture Initiative and her science writing has been published in some of Europe's leading national newspapers.
Dr. Edward M. Hubbard is an Assistant Professor in the Department of Educational Psychology at the University of Wisconsin-Madison where he directs the Educational Neuroscience Laboratory. He received degrees from UC Berkeley and UC San Diego and completed his post-doctoral training at INSERM's Cognitive Neuroimaging Unit and Vanderbilt University. He has investigated the perceptual and neural bases of grapheme-color synesthesia and synesthetic number forms for nearly twenty years, and his behavioural and neuroimaging work was critical in convincing the scientific community that synaesthesia was a valid, tractable topic for investigation. More recently, he has begun to investigate the neural basis of numerical and mathematical processing in non-synesthetes, and the development of these abilities in children, to better understand the neural mechanisms that lead to the development of synesthesia in children.