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Conspiracy has been a political phenomenon throughout history, relevant to any form of power from antiquity to the post-modern era. This means of resistance against power was prevalent during the Renaissance, and the Italian fifteenth century, in particular, can be regarded as an 'age of
plots'. This book offers the first full-length investigation of Italian Renaissance literature on the topic of conspiracy. This literature covered a range of different genres and it enjoyed widespread diffusion during the second half of the fifteenth century, when the development of this literary
production was connected with the affirmation of centralized political thought and princely ideology in Italian states. The centrality of conspiracies also emerges in the sixteenth century in Machiavelli's work, where the topic is closely interlaced with problems of building political consensus and
management of power. This volume presents case studies of the most significant humanist texts (representative of different states, literary genres, and of prominent authors--Alberti, Poliziano, Pontano--and minor, yet important, literati), and it also investigates Machiavelli's political and historical works. Through
interdisciplinary analysis, this study traces the evolution of literature on plots in early Renaissance Italy. It points out the key function of the classical tradition and the recurring narrative approaches, the historiographical techniques, and the ideological angles that characterize the literary
transfiguration of the topic. This volume also offers a reconsideration of the complex facets of humanist political literature that played a crucial role in the development of a new theory of statecraft.
Marta Celati is a Leverhulme Research Fellow at the University of Warwick, Centre for the Study of the Renaissance, and part-time Lecturer in Italian literature at the University of Oxford. She has worked as Teaching Fellow at the University of Pisa and in 2018 she was Frances Yates Fellow at the Warburg Institute. She was awarded a PhD in Italian Studies from the University of Oxford and a doctorate in Medieval and Humanist Philology from the University of Pisa. Her main research field is the Italian Renaissance, in particular political and historical literature. She has published a complete edition of Poliziano's Coniurationis commentarium (2015) and articles on various authors and topics, such as the classical legacy in humanist works, the art of printing in fifteenth-century Italy, and the interaction between literature and visual culture.
