Bültmann & Gerriets
Humans, Beasts, and Ghosts
Stories and Essays
von Zhongshu Qian
Verlag: Columbia University Press
Reihe: Weatherhead Books on Asia
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Kopierschutz: Adobe DRM


Speicherplatz: 17 MB
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ISBN: 978-0-231-52654-8
Erschienen am 15.12.2010
Sprache: Englisch

Preis: 35,49 €

35,49 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Qian Zhongshu. Edited by Christopher G. Rea. With translations by Dennis T. Hu, Nathan K. Mao, Yiran Mao, Christopher G. Rea, and Philip F. Williams



Acknowledgments
Introduction
Written in the Margins of Life and Human, Beast, Ghost
Author's Preface to the 1983 Editions of Written in the Margins of Life and Human, Beast, Ghost
Written in the Margins of Life
Dedication
Acknowledgments
Preface
The Devil Pays a Nighttime Visit to Mr. Qian Zhongshu
Windows
On Happiness
On Laughter
Eating
Reading Aesop's Fables
On Moral Instruction
A Prejudice
Explaining Literary Blindness
On Writers
Notes
Human, Beast, Ghost
First Preface to the 1946 Kaiming Edition
Second Preface to the 1946 Kaiming Edition
God's Dream
Cat
Inspiration
Souvenir
Notes
Editions
Further Reading in English
Translators



Qian Zhongshu was one of twentieth-century China's most ingenious literary stylists, one whose insights into the ironies and travesties of modern China remain stunningly fresh. Between the early years of the Second Sino-Japanese War (1937-1945) and the Communist takeover in 1949, Qian wrote a brilliant series of short stories, essays, and a comedic novel that continue to inspire generations of Chinese readers.
With this long-awaited translation, English-language readers can immerse themselves in the invention and satirical wit of one of the world's great literary cosmopolitans. This collection brings together Qian's best short works, combining his iconoclastic essays on the "book of life" from Written in the Margins of Life (1941) with the four masterful short stories of Human, Beast, Ghost (1946). His essays elucidate substantive issues through deceptively simple subjects-the significance of windows versus doors, for example, or the blind spots of literary critics¿and assert the primacy of critical and creative independence. His stories blur the boundaries between humans, beasts, and ghosts as they struggle through life, death, and resurrection. Christopher G. Rea situates these works within China's wartime politics and Qian's literary vision, highlighting significant changes that Qian Zhongshu made to different editions of his writings and providing unprecedented insight into the author's creative process.


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