Edited by Eric Hayot and Rebecca L. Walkowitz

Acknowledgments
1. Introduction, by Eric Hayot and Rebecca L. Walkowitz
2. Alienation, by Christopher Reed
3. Animal, by Efthymia Rentzou
4. Antiquity, by David Damrosch
5. Classic, by Tsitsi Jaji
6. Context, by Christopher Bush
7. Copy, by Jacob Edmond
8. Form, by Jahan Ramazani
9. Libraries, by B. Venkat Mani
10. Obsolescence, by Mark Goble
11. Pantomime, by Monica L. Miller
12. Puppets, by Martin Puchner
13. Slum, by David Pike
14. Style, by Judith Brown
15. Tradition, by Rachel Adams
16. Translation, by Gayle Rogers
17. War, by Mariano Siskind
Appendix: More Vocabulary
Contributors
Index

Bringing together leading critics and literary scholars, A New Vocabulary for Global Modernism argues for new ways of understanding the nature and development of twentieth-century literature and culture. Scholars have largely understood modernism as an American and European phenomenon. Those parameters have expanded in recent decades, but the incorporation of multiple origins and influences has often been tied to older conceptual frameworks that make it difficult to think of modernism globally. Providing alternative approaches, A New Vocabulary for Global Modernism introduces pathways through global archives and new frameworks that offer a richer, more representative set of concepts for the analysis of literary and cultural works.
In separate essays each inspired by a critical term, this collection explores what happens to the foundational concepts of modernism and the methods we bring to modernist studies when we approach the field as a global phenomenon. Their work transforms the intellectual paradigms we have long associated with modernism, such as tradition, antiquity, style, and translation. New paradigms, such as context, slum, copy, pantomime, and puppets emerge as the archive extends beyond its European center. In bringing together and reexamining the familiar as well as the emergent, the contributors to this volume offer an invaluable and original approach to studying the intersection of world literature and modernist studies.