Acknowledgments
Introduction
1. Production Screens in the Long 1930s: Rear Projection and Special Effects
2. Theatrical Screens, 1926-1931: Transforming the Screen
3. Theatrical Screens, 1931-1940: Integrating the Screen
4. Extratheatrical Screens in the Long 1930s: Film and Television at Home and in Transit
Coda: Multiplicity, Immersion, and the New Screens
Notes
Bibliography
Index

Ariel Rogers is associate professor in the Department of Radio/Television/Film at Northwestern University. She is the author of Cinematic Appeals: The Experience of New Movie Technologies (Columbia, 2013).