Preface and Acknowledgments
Introduction
1. Comedic Modernism
2. Comedy of Everyday Life
3. The Beholder's Share
4. Satirizing Modernity
Afterword: Parade, Tati, and Participatory Culture
Notes
Bibliography
Index

Malcolm Turvey is Sol Gittleman Professor in the Art and Art History Department and director of the Film and Media Studies Program at Tufts University. He is an editor of the journal October. His books include Doubting Vision: Film and the Revelationist Tradition (2008) and The Filming of Modern Life: European Avant-Garde Film of the 1920s (2011).