Bültmann & Gerriets
African Art and Agency in the Workshop
von Sidney Littlefield Kasfir, Till Förster
Verlag: Indiana University Press
Reihe: African Expressive Cultures
Taschenbuch
ISBN: 978-0-253-00749-0
Erschienen am 01.04.2013
Sprache: Englisch
Format: 228 mm [H] x 151 mm [B] x 30 mm [T]
Gewicht: 588 Gramm
Umfang: 424 Seiten

Preis: 30,00 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 11. November in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

30,00 €
merken
klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Inhaltsverzeichnis
Biografische Anmerkung

Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007).

Till F¿rster is Professor of Social Anthropology at the University of Basel.



Acknowledgments
Introduction: Rethinking the Workshop \ Till Förster and Sidney Littlefield Kasfir
The Contributions to This Book \ Sidney Littlefield Kasfir and Till Förster
Part 1. Production, Education, and Learning
1. Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa \ Elizabeth Morton
2. Follow the Wood: Carving and Political Cosmology in Oku, Cameroon \ Nicolas Argenti
3. Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multisited Pottery Workshop \ Silvia Forni
4. An Artist's Notes on the Triangle Workshops, Zambia and South Africa \ Namubiru Rose Kirumira and Sidney Littlefield Kasfir
Part 2. Audience and Encounters
5. Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa \ Brenda Schmahmann
6. Rethinking Mbari Mbayo: Osogbo Workshops in the 1960s, Nigeria \ Chika Okeke-Agulu
7. Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe \ Christine Scherer
8. Navigating Nairobi: Artists in a Workshop System, Kenya \ Jessica Gerschultz
Part 3. Patronage and Domination
9. Lewanika's Workshop and the Vision of Lozi Arts, Zambia \ Karen E. Milbourne
10. Artesaos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique \ Alexander Bortolot
11. Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe \ Elizabeth Morton
12. "A Matter of Must": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria \ Norma H. Wolff
Part 4. Comparative Aspects
13. Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon \ Till Förster
14. Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa \ Sidney Littlefield Kasfir
Coda: Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007 \ Sidney Littlefield Kasfir
Contributors
Index



Sidney Littlefield Kasfir is Professor Emerita of Art History at Emory University. She is author of African Art and the Colonial Encounter (IUP, 2007).
Till Förster is Professor of Social Anthropology at the University of Basel.


weitere Titel der Reihe