Bültmann & Gerriets
The Pastoral in Charles Griffes's Music
Aesthetic of Ambivalence
von Taylor A. Greer
Verlag: Indiana University Press
Reihe: Musical Meaning and Interpreta
Gebundene Ausgabe
ISBN: 978-0-253-06928-3
Erschienen am 17.06.2024
Sprache: Englisch
Format: 229 mm [H] x 152 mm [B] x 25 mm [T]
Gewicht: 658 Gramm
Umfang: 380 Seiten

Preis: 107,50 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 23. Oktober in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Inhaltsverzeichnis

At the turn of the century, visionary composer Charles Tomlinson Griffes synthesized highly diverse elements from other musical traditions into his distinct artistic voice.   As American as he was far ranging in his interests, Griffes was an aesthetic polyglot, combining elements of literature, visual arts, global folk melodies, and contemporary European art music into a new musical language. The breadth of his sources of inspiration are breathtaking, including the sensual harmonies of fin-de-siècle French music, the British Aesthetic Movement, folk music drawn from the Middle East and Java, and a wide range of poets, including William Blake, Samuel Taylor Coleridge, and William Sharp. The Pastoral in Charles Griffes's Music explores both his music and the rich historical context from which it grew to enrich our understanding of the composer's artistic contribution and reveal new intersections and contradictions in European and American culture during the early twentieth century. Taylor A. Greer also critiques the philosophical foundation of topic theory and its relationship to the pastoral in Griffes's music to reflect on the end of the nineteenth century and clarify our understanding of his artistic influences.  With Griffes's conception of the pastoral, he transformed the siciliana-based tradition he inherited from the eighteenth century into a new and vibrant genre that preserved the usual associations of simplicity and tranquility and introduced new elements of tension into the pastoral ideal, including global voices, paradox, and occasional conflict.



Preface
Acknowledgments
Part I: Preliminaries
1. Biography and Style
2. Philosophical Prelude and Interpretive Method
3. Pastoral and Lament Cues
Part II: Commentaries and Analyses
4. "The Dreamy Lake" and the Unfolding Tale of "The White Peacock"
5. The Pleasure-Dome, Paradox in Paradise
6. Songs of Lament and Spiritual Yearning
7. "Tears" and "Symphony in Yellow"
8. Lake, Vale, and Bacchanale
9. Prelude #3, Irony Goes Wilde
Pastoral Postlude
Bibliography
Index


andere Formate
weitere Titel der Reihe