This volume offers a multidisciplinary engagement with the work of Tim Ingold.

Martin Porr is Associate Professor of Archaeology at the University of Western Australia.

Niels Weidtmann, philosophy, is Director of the College of Fellows - Center for Interdisciplinary and Intercultural Studies at Eberhard-Karls Universität Tübingen, Germany.

Part I - Introduction

Tim Ingold - biographical and research overview

Martin Porr, Niels Weidtmann, and Tim Ingold

1 Being alive and educating attention: The persistent value of the work of Tim Ingold

Martin Porr and Niels Weidtmann

Part II - Knowing, perceiving, and attending

2 Introduction: Knowing, perceiving, and attending

Niels Weidtmann and Martin Porr

3 Anthropology with Tim Ingold and friends

Stephanie Bunn

4 Artworks at a threshold: Thinking with Tim Ingold about art gallery technicians

Laura Harris

5 In the slipstream of participation: Attention and intention in anthropological fieldwork

Anna Bloom-Christen

6 Historicising creativity: An interdisciplinary perspective between the social and natural sciences

Dylan Gaffney and Leor Zmigrod

Part III - Anthropology and/as attention

7 Introduction: Anthropology and/as attention

Niels Weidtmann and Martin Porr

8 Experiences from within: Contributions of outdoor education to anthropology

Melanie Greiner

9 Decolonising anthropology and/as education?

Antony Pattathu

Part IV - The life of lines, dwelling and growing

10 Introduction: The life of lines, dwelling and growing

Martin Porr and Niels Weidtmann

11 Making (of) ecology. Philosophical perspectives on Tim Ingold

Ralf Gisinger

12 Making and growing: The lives and deaths of a tree and a house in the Spanish dehesa

Maike Melles

13 Living along infrastructural lines: Following electricity in Hunza

Quirin Rieder

Part V - Art beyond the image

14 Introduction: Art beyond the image

Martin Porr and Niels Weidtmann

15 'Dwelling' with Siberian rock art

Irina A. Ponomareva

16 Rock art conservation and living heritage: Performance and the transformation of 'paintings' in rock art

Ana Paula Motta

17 Many ways to see yams: An ecological analysis of Yam Figures in the Aboriginal rock art of Balanggarra Country, Northeast Kimberley, Western Australia

Emily Grey and Balanggarra Aboriginal Corporation

18 Ontological reversals, correspondences, and archaeological 'arts of noticing'

Benjamin Alberti

Part VI - Conclusion

19 Let the world teach! Some closing reflections

Tim Ingold