Bültmann & Gerriets
Boredom Studies Reader
Frameworks and Perspectives
von Michael Gardiner, Julian Jason Haladyn
Verlag: Taylor & Francis
Taschenbuch
ISBN: 978-0-367-87375-2
Erschienen am 12.12.2019
Sprache: Englisch
Format: 234 mm [H] x 156 mm [B] x 14 mm [T]
Gewicht: 381 Gramm
Umfang: 254 Seiten

Preis: 64,50 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 24. Oktober in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Biografische Anmerkung
Klappentext
Inhaltsverzeichnis

Michael E. Gardiner is Professor in the Department of Sociology at the University of Western Ontario, Canada, where he is also a core faculty member of the Centre for the Study of Theory and Criticism. He teaches on social theory, everyday life and the sociology of utopia.

Julian Jason Haladyn is an art historian and professor at OCAD University. He is the author of Boredom and Art: Passions of the Will to Boredom (Zero Books, 2014) and Marcel Duchamp: Étant donnés (Afterall, 2010), as well as numerous journal articles and book chapters on art and critical theory.



Boredom Studies is an increasingly rich and vital area of contemporary research that examines the experience of boredom as an importan - even quintessential - condition of modern life. This anthology of newly commissioned essays focuses on the historical and theoretical potential of this modern condition, connecting boredom studies with parallel



0. Introduction

0.0. 'Monotonous Splendour: An Introduction to Boredom Studies', Julian Jason Haladyn and Michael E. Gardiner - p. 1

Part 1: Boredom and Subjectivity

1.1. ''Between Affect and History: The Rhetoric of Modern Boredom', (Elizabeth S. Goodstein)

1.2. 'The Dialectic of Lassitude: A Reflexive Investigation', (Barry Sandywell)

1.3. 'The Life That is Not Purely One's Own: Michel Henry and Boredom as an Affect', (Antonio Calcagno)

Part 2: Boredom and Visual Culture

2.1. 'Entertainment: Contemporary Art's Cure for Boredom', (Frances Colpitt)

2.2. 'Boring Cool People: Some Cases of British Boredom', (Elizabeth Legge)

2.3. 'The Universal Foreground: Ordinary Landscapes and Boring Photographs', (Eugenie Shinkle)

Part 3: Boredom in/and the [Techno-]Social World

3.1. '#Boredom: Technology, Acceleration, and Connected Presence in the Social Media Age', (Martin Hand)

3.2. 'Kierkegaard on Boredom and Self-Loss in the Age of Online Dating', (Kevin Aho)

3.3. 'Overload, Boredom and the Aesthetics of Texting', (Sharday Mosurinjohn)

Part 4: Boredom and its Discontents

4.1 'Boredom and the Banality of Power', (Saikat Majumdar)

4.2 'Boredom and Violence', (Jorg Kustermans)

4.3 'Everyday Life between Boredom and Fatigue', (Eran Dorfman)

4.4 'Attention and the Cause of Modern Boredom', (Erik Ringmar)

Part 5: Boredom's Futures

5.1. 'Boredom and the Meaning of Life', (Lars Svendsen)

5.2. 'Boredom and the Origin of


andere Formate