This book considers the increasing influence of indigenous groups as key audiences, collaborators, and authors with regards to their own linguistic documentation and representation. The chapters critically examine a variety of North American case studies to reflect on the forms and effects of new collaborations between language researchers and indi

Paul V. Kroskrity is a Professor of Anthropology at the University of California, Los Angeles, United States. He served as Chair of the Interdepartmental Program in American Indian Studies and is a past President of the Society for Linguistic Anthropology.

Barbra A. Meek is an Associate Professor of Anthropology and Linguistics at the University of Michigan, United States.

Introduction

1. Native American Languages and Linguistic Anthropology: From the Legacy of Salvage Anthropology to the Promise of Linguistic Self-Determination
Barbra A. Meek

Part I: Collaboration

2. There's No Easy Way to Talk about Language Change or Language Loss: The Difficulties and Rewards of Linguistic Collaboration
Gus Palmer, Jr.

3. Recontextualizing Kumeyaay Oral Literature for the Twenty-First Century
Margaret Field

4. "You Shall Not Become This Kind of People": Indigenous Political Argument in Maidu Linguistic Text Collections
M. Eleanor Nevins

5. To "We" (+inclusive) or Not to "We" (-inclusive): The CD-ROM Taitaduhaan (Our Language) and Western Mono Future Publics
Paul V. Kroskrity

Part II: Circulation

6. Future Imperfect: Advocacy, Rhetoric, and Public Anxiety over Maliseet Language Life and Death
Bernard C. Perley

7. Perfecting Publics: Future Audiences and the Aesthetics of Refinement
Erin Debenport

Part III: Scaling Publics

8. "I Don't Write Navajo Poetry, I Just Speak the Poetry in Navajo": Ethical Listeners, Poetic Communion, and Imagined Future Publics of Navajo Poetry
Anthony K. Webster

9. Reflections on Navajo Publics, "New" Media, and Documentary Futures
Leighton Peterson

10. Labelling Knowledge: The Semiotics of Immaterial Cultural Property and the Production of New Indigenous Publics
Jane Anderson, Hannah McElgunn, and Justin Richland