and the little known ideas of Anatoly Vasiliev form the centerpiece of the other Romantic, organic strain of practice. "Science and the Stanislavsky Tradition of Acting" opens up the theatre laboratories of five major practitioners in the twentieth and twenty first centuries and scrutinizes their acting methodologies from a scientific perspective.

Introduction: Science and the Stanislavsky Tradition of Acting Part 1. 1. A System for the World? Newtonianism in Stanislavsky's Science of Acting Part 2. 2. The Theatricality Reflex: The Place of Pavlov and Taylor in Meyerhold's Biomechanics 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg Part 3. 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique 5. The Laboratory as Sanctuary: The Theatre of Anatoly Vasiliev Epilogue: Genetic Modification and the Backbone of Tradition Bibliography. Index