The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape ¿ both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ¿post-conceptual¿ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices ¿ painting; sculpture and installation; and film, video and performance. Chapters also include further reading suggestions, classified by genre in order to support and orientate the reader. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.

Grant Pooke is a Senior Lecturer in the School of Arts, University of Kent. He is the author of Francis Klingender 1907-1955: A Marxist Art Historian Out of Time (2008) and co-author of Art History: The Basics (2008).

Selected Contents: Acknowledgements Illustrations Figures Plates Introduction 1. Perspectives on the Contemporary Art Market and its Institutions 2. Post-Conceptual British Painting 3. Installation Art and Sculpture as Institutional Paradigms 4. New Media in Transition: Photography, Video & the Performative Post-Conceptual British Art: New Directions Home Bibliography Index