Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth-century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth-century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.

Griselda Pollock is Professor of Social and Critical Histories of Art and Director for Cultural Analysis, Theory and History at University of Leeds. A world-renowned scholar of international, post-colonial feminist studies in the visual arts, she is best known for her theoretical and methodological innovation, combined with deeply engaged readings of historical and contemporary art, film and cultural theory.

Acknowledgements List of Illustrations Part 1: The Afterlife of Images: Framing Fathers 1. What the Graces made me do... Time, Space and the Archive: Questions of Feminist Method 2. The Grace of Time: Narrativity, Sexuality and the Visual Encounter 3. The Object's Gaze in the Freudian Museum Part 2: Femininity, Modernity and Representation 4.Visions of Sex ca 1920 Part 3: After Auschwitz: femininity and futurity 5. Jewish Space/Women's Time: Encounters with History in the Artworking of Charlotte Salomon 1941-1942 6. The Graces of Catastrophe: Matrixial Time and Aesthetic Space confront the Archive of Disaster Part 4: Time and the Mark 7. The Time of Drawing : Drawing Time Christine Taylor Patten's Micro/Macro series Index