"Goldhill's richly textured, skillfully argued, and improbably erudite journey through France, Germany, and Great Britain in the Victorian period will rightfully place him at the forefront of the burgeoning field of reception studies. Examining the varied, often wildly different influences of Greece and Rome in art, music, and fiction, with a glance at historiography, he situates the study of the classics in the political, social, intellectual, and religious currents of the time, with often surprising results. Whether revisiting opera performances, art exhibitions, or popular cultural icons such as Ben Hur or The Last Days of Pompeii, as well as the uses to which they were put in the hallowed halls of academe and seats of political power, this book is certain to open new ways of understanding how we study and evaluate the manifold meanings of the past."--Froma Zeitlin, Princeton University

"The book is wonderfully written with lots of verve and lucidity, and it dives sensitively into a rich pool of archival material with a good deal of erudition."--James I. Porter, University of California, Irvine

"In this brilliant and wide-ranging book, Goldhill explores the cultural politics of classical reception from a broadly interdisciplinary perspective. He is a voracious reader with a wonderful eye for detail, moving across various literary genres and media--including music and the visual arts--to illuminate popular discourses and scholarly polemics surrounding classics in the nineteenth century. This is a dynamic engagement with Victorian ideas about classical antiquity, far from antiquarian in its appeal."--Yopie Prins, University of Michigan

Simon Goldhill is professor of Greek literature and culture and fellow and director of Studies in Classics at King's College, University of Cambridge. His many books include Love, Sex, and Tragedy: How the Ancient World Shapes Our Lives.