Bültmann & Gerriets
Richard Lester CB
von Neil Sinyard
Verlag: Manchester University Press
Reihe: British Film-Makers
Gebundene Ausgabe
ISBN: 978-0-7190-6756-3
Erschienen am 01.07.2010
Sprache: Englisch
Format: 218 mm [H] x 145 mm [B] x 23 mm [T]
Gewicht: 417 Gramm
Umfang: 232 Seiten

Preis: 130,50 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 14. Oktober in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

130,50 €
merken
klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Biografische Anmerkung
Inhaltsverzeichnis

Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence.
This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size.
The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike.



Neil Sinyard is Professor and Head of Film Studies at the University of Hull, UK



Preface
List of plates
Introduction: oblique moments
1. Learning the craft
*The Running, Jumping & Standing Still Film* (1959);
*It's Trad, Dad* (1962);
*The Mouse on the Moon* (1963)
2. Swingin' sixties
*A Hard Day's Night* (1964);
*The Knack* (1965);
*Help!* (1965)
3. Comedy tonight, tragedy tomorrow
*A Funny Thing Happened on the Way to the Forum* (1966)
4. Trilogy of disillusionment
*How I Won the War* (1967);
*Petulia* (1968);
*The Bed-Sitting Room* (1969)
5. All for one and every man for himself
*The Three Musketeers* (1973);
*The Four Musketeers* (1974)
6. Holding the country to ransom
*Juggernaut* (1974)
7. Fame and misfortune
*Royal Flash* (1975);
*Robin and Marian* (1976);
*Butch and Sundance: The Early Days* (1978)
8. Mixed bathing
*The Ritz* (1976)
9. Romance and revolution
*Cuba* (1979)
10. Men and supermen
*Superman II* (1981); *Superman III* (1983)
11. Last orders
*Finders Keepers* (1984);
*The Return of the Musketeers* (1989);
*Get Back* (1991)
12. Conclusion
Filmography
Bibliography
Index


weitere Titel der Reihe