Preface
Introduction: What's in a Name? Postcolonial East Asia
Chapter 1. The Other Empire: Japan and the Pornographic Imagination of East Asia
Chapter 2. Can the Subaltern "See"? The Subaltern Vision and Looking Otherwise
Chapter 3. Transnational Cultural Production and the Politics of Moribund Masculinity
Chapter 4. When is it Postcolonial? Time-Space in East Asian National Cinema
Epilogue

In Cinema at the Crossroads: Nation and the Subject in East Asian Cinema, Hyon Joo Yoo argues that East Asian experiences of colonialism and postcolonialism call for a different conceptualization of postcoloniality, subjectivity, and the nation. Through its analyses of Japanese, Korean, and Taiwanese cinemas, this engaging study of cinema and culture charts the ways in which national cinemas visualize colonial and postcolonial conditions that derive from the history of Japanese colonialism and the post-war alliance between Japan and the United States.
What does it mean to rethink postcolonial studies through East Asian cinema and experience? Yoo pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. Cinema at the Crossroads is a profound look into how cinema and national culture intertwine with hegemony and power.