Bültmann & Gerriets
Death-Drive
Freudian Hauntings in Literature and Art
von Robert Rowland Smith
Verlag: Edinburgh University Press
Reihe: Frontiers of Theory
Gebundene Ausgabe
ISBN: 978-0-7486-4039-3
Erschienen am 30.04.2010
Sprache: Englisch
Format: 236 mm [H] x 155 mm [B] x 20 mm [T]
Gewicht: 499 Gramm
Umfang: 256 Seiten

Preis: 130,50 €
keine Versandkosten (Inland)


Jetzt bestellen und voraussichtlich ab dem 12. Oktober in der Buchhandlung abholen.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

130,50 €
merken
Gratis-Leseprobe
klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Klappentext
Biografische Anmerkung
Inhaltsverzeichnis

ENDORSEMENTS TO FOLLOW
The Frontiers of Theory
Series Editor: Martin McQuillan
This series brings together internationally respected figures to comment on and re-describe the state of theory in the twenty-first century. It takes stock of an ever-expanding field of knowledge and opens up possible new modes of inquiry within it, identifying new theoretical pathways, innovative thinking and productive motifs.
Death-Drive: Freudian Hauntings in Literature and Art
Robert Rowland Smith
Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death.
In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.
Robert Rowland Smith has written widely on philosophy, psychoanalysis and literature, including Derrida and Autobiography. Now independent, he also writes non-fiction that applies philosophy to everyday life.



A former Prize Fellow of All Souls College, Robert Rowland Smith has written widely on philosophy, psychoanalysis and literature, including Derrida and Autobiography. He is a founding editor of the award-winning journal, Angelaki and an original member of the Forum for European Philosophy. Now independent, he also writes non-fiction that applies philosophy to everyday life. His latest book is Breakfast with Socrates: The Philosophy of Everyday Life (Profile Books, 2009).



Note on the Text; References; List of Illustrations; Acknowledgments; Foreword; Introduction; 1. Memento Mori; 2. The Death Drive Does Not Think; 3. A Subject Is Being Beaten; 4. White Over Red; 5. Literature - Repeat Nothing; 6. A Harmless Suggestion; 7. The Rest of Radioactive Light; Post Script - Approaching Death; Index.


andere Formate
weitere Titel der Reihe