This magical volume presents the long-lost research of 19th-century dragonologist Drake. Full color.

Dr. Ernest Drake is said to have lived in St. Leonard's Forest, Sussex, England, in the late nineteenth century and to have issued a very limited run -- some 100 copies -- of Dragonology in 1895. A noted dragonologist and a founding member of the Secret & Ancient Society of Dragonologists in London, Dr. Ernest Drake was determined to bring the subject of dragons under the burgeoning umbrella of the nineteenth-century natural sciences. He had absolutely no doubt that dragons exist, and his notes suggest that he had no little experience of them. Apparently, only one copy of Dragonology ever appeared in public, surfacing in the basement of a secondhand bookstore in London in 1987. The book was accompanied by a letter, dated 1904, addressed to an unnamed apprentice. Dr. Ernest Drake's painstaking work has been faithfully reproduced in this unique volume.

Douglas Carrel, Chief Draughtsman: A native of Scotland, Douglas Carrel was clearly a dragonologist of some standing, and often accompanied Dr. Drake on some of his more fruitful expeditions. In a letter from Constantinople to the editor he says, "It is with considerable sense of honour, and no small amount of pride, that I lend my hand to the compiling of this most worthy volume . . . Ultimately, I feel that all of us--within this privileged circle in particular--are duty-bound to preserve and perpetuate the love and lore of dragons."

Helen Ward, Scientific Artist: Helen Ward trained as an illustrator at Brighton School of Art, although it is not known exactly when she came into contact with Dr. Drake. However a quote from her autobiography makes some things clear: "As a child I dreamed of dragons. When age allowed, I traveled. Unfortunately, several expeditions to Europe and one to that part of Russia known as Finland specifically to capture the likeness of a live dragon have ended in failure. The creatures seemed deliberately elusive . . .. With the help of descriptions, notes, and detailed drawings made by others I have managed to illustrate these majestic creatures to the satisfaction of those more fortunate and better-informed dragonologists."

Wayne Anderson, Pictorial Artist: Interested in cryptozoology from an early age, Wayne Anderson first came into contact with S.A.S.D. at one of their meetings in Wyvern Way in London. It was after a couple of trips with Drake--to the Alps in 1878 and to Scotland in 1880--that Wayne realized his early dragon drawings were, in fact, more life-like than he could have realised. Like most of the other collaborators on Dragonology, he has contributed to many other books for children. He enjoyed a fruitful collaboration with Helen Ward that resulted in books such as The Tin Forest and The Dragon Machine.

Nghiem Ta, Artistic Direction: Dr. Drake met Nghiem Ta in the Fukien (now Fujian) Province of China where she was working in her grandfather's bookshop. Their shared interest in dragons became evident when he showed her a copy of the fabled Dragon Sutra of Hong Wei, which the monks of that monastery made for him as a gift. He asked Miss Ta if such a revered object could be bound into a book and was so impressed with her work that he later invited her to London to oversee the creation of Dragonology.