F. Scott Spencer is professor of New Testament and biblical interpretation at the Baptist Theological Seminary in Richmond, Virginia. He has also served as past president of the Southeastern Commission for the Study of Religion and current co-chair of the Bible and Emotion group for the Society of Biblical Literature. Spencer's longtime interest in feminist biblical interpretation is evident in the monographs Dancing Girls, "Loose" Ladies, and Women of "the Cloth": The Women in Jesus' Life; and Salty Wives, Spirited Mothers, and Savvy Widows: Capable Women of Purpose and Persistence in Luke's Gospel.

Arguably the biggest blockbuster love song ever composed, the Song of Songs holds a unique place in Jewish and Christian canons as the "holiest" book, in the minds of some readers, and the sexiest in its language and imagery. This commentary aims to interpret this vibrant Song in a contemporary feminist key, informed by close linguistic-literary and social-cultural analysis. Though finding much in the Song to celebrate for women (and men) in their embodied, passionate lives, this work also exposes tensions, vulnerabilities, and inequities between the sexes and among society at large-just what we would expect of a perceptive, poignant love ballad that still tops the charts.
From the Wisdom Commentary series
Feminist biblical interpretation has reached a level of maturity that now makes possible a commentary series on every book of the Bible. It is our hope that Wisdom Commentary, by making the best of current feminist biblical scholarship available in an accessible format to ministers, preachers, teachers, scholars, and students, will aid all readers in their advancement toward God's vision of dignity, equality, and justice for all.
The aim of this commentary is to provide feminist interpretation of Scripture in serious, scholarly engagement with the whole text, not only those texts that explicitly mention women. A central concern is the world in front of the text, that is, how the text is heard and appropriated by women. At the same time, this commentary aims to be faithful to the ancient text, to explicate the world behind the text, where appropriate, and not impose contemporary questions onto the ancient texts. The commentary addresses not only issues of gender (which are primary in this project) but also those of power, authority, ethnicity, racism, and classism, which all intersect.
Each volume incorporates diverse voices and differing interpretations from different parts of the world, showing the importance of social location in the process of interpretation and that there is no single definitive feminist interpretation of a text.

Contents
List of Abbreviations ix
List of Contributors xiii
Foreword "Tell It on the Mountain"-or, "And You Shall Tell Your Daughter [as Well]" xv
Athalya Brenner-Idan
Editor's Introduction to Wisdom Commentary: "She Is a Breath of the Power of God" (Wis 7:25) xix
Barbara E. Reid, OP
Acknowledgments xxxix
Author's Introduction: Playing the Song of Songs in a Feminist Key xli
Song of Songs 1:1 Heading 1
Song of Songs 1:2-8 Comfortable (Mostly) in Her Own Voice and Skin 5
Song of Songs 1:9-2:7 Looking at the Lovers' Nest-and Letting It Be 25
Song of Songs 2:8-17 Viewing, Cooing, and Wooing 41
Song of Songs 3:1-5 Seeking and Seizing Her Lover 59
Song of Songs 3:6-11 Look Who's Coming to Town 71
Song of Songs 4:1-7 Formidable Beauty and Fearful Symmetry 83
Song of Songs 4:8-5:1 The Precarious Path to Paradise 99
Song of Songs 5:2-8 Painful Pillow Talk 113
Song of Songs 5:9-6:3 Playful Girl Talk 133
Song of Songs 6:4-10 An Overwhelming Ode to Terrible Beauty 147
Song of Songs 6:11-13 A Flight of Fancy and a Campy Dance 157
Song of Songs 7:1-9a The Dynamic Delights of Statuesque Beauty 167
Song of Songs 7:9b-8:4 Desiring Old and New, Open and Safe Spaces for Love 193
Song of Songs 8:5-14 The Love Song That Never Ends 207
Works Cited 233
Index of Scripture References and Other Ancient Writings 243
Index of Subjects 247