Bültmann & Gerriets
Critical Rhetorics of Race
von Kent A. Ono
Verlag: University of Pennsylvania Press, Inc.
Reihe: Critical Cultural Communication Nr. 12
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ISBN: 978-0-8147-6236-3
Erschienen am 11.07.2011
Sprache: Englisch

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Inhaltsverzeichnis
Klappentext

Acknowledgments

Foreword

Raymie E. McKerrow

Introduction

Michael G. Lacy and Kent A. Ono

Part I: Racialized Masculinities

1 Apocalypse

Michael G. Lacy and Kathleen C. Haspel

2 Tales of Tragedy

Cynthia Willis-Chun

3 N-word vs. F-word, Black vs. Gay

Catherine R. Squires

Part II: Whiteness

4 Quentin Tarantino in Black and White

Sean Tierney

5 Patrolling National Identity, Masking White Supremacy

Michelle A. Holling

6 Control, Discipline, and Punish

Rachel Alicia Griffin and Bernadette Marie Calafell

Part III: Vernacular Resistances

7 Declarations of Independence

Jacqueline Bacon

8 Transgressive Rhetoric in Deliberative Democracy: The Black Press

Michael Huspek

9 Bling Fling

Roopali Mukherjee

Part IV: Racialized Complexities and Neocolonialism

10 The Rhythm of Ambition

Aimee Carrillo Rowe, Sheena Malhotra, and Kimberlee Pérez

11 Inscribing Racial Bodies and Relieving Responsibility

Jamie Moshin and Ronald L. Jackson II

12 Cinematic Representation and Cultural Critique

Marouf Hasian, Jr., Carol W. Anderson, and Rulon Wood

13 Abstracting and De-Racializing Diversity

Rona Tamiko Halualani

Bibliography

About the Contributors

Index



According to many pundits and cultural commentators, the U.S. is enjoying a post-racial age, thanks in part to Barack Obama's rise to the presidency. This high gloss of optimism fails, however, to recognize that racism remains ever present and alive, spread by channels of media and circulated even in colloquial speech in ways that can be difficult to analyze.
In this groundbreaking collection edited by Michael G. Lacy and Kent A. Ono, scholars seek to examine this complicated and contradictory terrain while moving the field of communication in a more intellectually productive direction. An outstanding group of contributors from a range of academic backgrounds challenges traditional definitions and applications of rhetoric. From the troubling media representations of black looters after Hurricane Katrina and rhetoric in news coverage about the Columbine and Virginia Tech massacres to cinematic representations of race in Crash, Blood Diamond, and Quentin Tarantino's films, these essays reveal complex intersections and constructions of racialized bodies and discourses, critiquing race in innovative and exciting ways. Critical Rhetorics of Race seeks not only to understand and navigate a world fraught with racism, but to change it, one word at a time.


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