Bültmann & Gerriets
Out of Time
Desire in Atemporal Cinema
von Todd McGowan
Verlag: University of Minnesota Press
Taschenbuch
ISBN: 978-0-8166-6996-7
Erschienen am 16.02.2011
Sprache: Englisch
Format: 216 mm [H] x 140 mm [B] x 18 mm [T]
Gewicht: 429 Gramm
Umfang: 302 Seiten

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Klappentext
Biografische Anmerkung
Inhaltsverzeichnis

In Out of Time, Todd McGowan takes as his starting point the emergence of a temporal aesthetic in cinema that arose in response to the digital era. Linking developments in cinema to current debates within philosophy, McGowan claims that films that change the viewer's relation to time constitute a new cinematic mode: atemporal cinema.

In atemporal cinema, formal distortions of time introduce spectators to an alternative way of experiencing existence in time-or, more exactly, a way of experiencing existence out of time. McGowan draws on contemporary psychoanalysis, particularly Jacques Lacan, to argue that atemporal cinema unfolds according to the logic of the psychoanalytic notion of the drive rather than that of desire, which has conventionally been the guiding concept of psychoanalytic film studies.

Despite their thematic diversity, these films distort chronological time with a shared motivation: to reveal the logic of repetition. Like psychoanalysis, McGowan contends, the atemporal mode locates enjoyment in the embrace of repetition rather than in the search for the new and different.



Todd McGowan is an Associate Professor in the Department of Film and Television Studies at the Unersity of Vermont.His many publications include Capitalism and Desire: The Psychic Cost of Free Markets (2016) and Enjoying What We Don't Have: The Political Project of Psychoanalysis (2012)



Preface
Acknowledgments
Introduction: The Origins of the Atemporal Film
1. Temporality after The End of Time in Pulp Fiction
2. Not the Worst of All Possible Worlds: Sacrificing the Object in Butterfly Effect
3. Eternity without Sunshine: Eternal Sunshine of the Spotless Mind and the Hopelessness of Love
4. The Path to Politics in The Constant Gardener
5. "Something Is Lost": The Ethics of Absolute Negativity in 21 Grams
6. Timeless in Space: Placing Eternity in 2046
7. Affirmation of the Lost Object: Peppermint Candy and the End of Progress
8. The Temporal Flight from Trauma: Irréversible and the Critique of Experience
Conclusion: An Infinite Memento
Notes
Index