In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Other pieces revise standard accounts of well-known jazz figures, such as Duke Ellington, and lesser-known musicians, including Jeanne Lee; delve into how money, class, space, and economics affect the performance of experimental music; and take up the question of how digital technology influences improvisation. People Get Ready offers a vision for the future of jazz based on an appreciation of the complexity of its past and the abundance of innovation in the present.
Contributors. Tamar Barzel, John Brackett, Douglas Ewart, Ajay Heble, Vijay Iyer, Thomas King, Tracy McMullen, Paul D. Miller/DJ Spooky, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Aldon Lynn Nielsen, Eric Porter, Marc Ribot, Matana Roberts, Jaribu Shahid, Julie Dawn Smith, Wadada Leo Smith, Alan Stanbridge, John Szwed, Greg Tate, Scott Thomson, Rob Wallace, Ellen Waterman, Corey Wilkes

Acknowledgments ix
Introduction. "People Get Ready": The Future of Jazz is Now! / Ajay Heble and Rob Wallace 1
Part I. Beyond Categories: Histories and Mysteries
1. "Now is the Time": Voicing against the Grain of Orality / Aldon Lynn Nielsen 31
2. The Antiquity of the Avant-Garde: A Meditation on a Comment by Duke Ellington / John Szwed 44
3. Listening Trust: The Everyday Politics of George Lewis's "Dream Team" / Julie Dawn Smith and Ellen Waterman 59
4. Jeanne Lee's Voice / Eric Porter 88
5. Kick Out the Jazz! / Rob Wallace 111
Part II. Crisis in New Music? Vanishing Venues and the Future of Experimentation
6. Days of Breads and Roses / Marc Ribot 141
7. Subsidy, Advocacy, Theory: Experimental Music in the Academy, in New York City, and Beyond / Tamar Barzel 153
8. Subsidizing the Experimental Muse:Rereading Ribot / John Brackett 166
9. One Musician Writes about Creative-Music Venues in Toronto / Scott Thomson 175
10. Somewhere There: Contemporary Music, Performance Spaces, and Cultural Policy / Alan Stanbridge 184
Part III. Sound Check
The Jazz Photography of Thomas King 197
Part IV. Get Ready: Jazz Futures
11. Black Jazz in the Digital Age / Greg Tate 217
12. Improvising Digital Culture / DJ Spooky and Vijay Iyer 225
13. Ancient to the Future: Celebrating Forty Years of the AACM / Douglas Ewart, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Matana Roberts, Jaribu Shahid, Wadada Leo Smith, and Corey Wilkes 244
14. People, Don't Get Ready: Improvisation, Democracy, and Hope / Tracy McMullen 265
Works Cited 281
Contributors 295
Index 301

Ajay Heble is Professor of English in the School of English and Theatre Studies at University of Guelph in Ontario. He is the author of Landing On The Wrong Note: Jazz, Dissonance, and Critical Practice and a coeditor of The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Heble is the founder and artistic director of the Guelph Jazz Festival and a founding editor of the online peer-reviewed journal Critical Studies in Improvisation/Études critiques en improvisation.

Rob Wallace is a teacher, writer, and musician. He holds a Ph.D. in English Literature from the University of California, Santa Barbara and is the author of Improvisation and the Making of American Literary Modernism. As a percussionist, he can be heard on recordings from the pfMentum and Ambiances Magnétiques record labels.