Joel Schechter is Professor of Theatre Arts at San Francisco State University. He is famous as a writer about clowns, jesters, satirists and their radical politics. Much of his work has been focused on contemporary global mayhem. He was previously Professor of Dramatic Literature at Yale School of Drama, lecturer in Performance Studies at New York University and the New School for Social Research. He was Editor in Chief of the Yale journal Theater from 1977-92.
The Cast of Brechtians in Order of Appearance
List of Illustrations
Foreword by Peter Thomson
Introduction
Eighteenth-Century Brechtians
Cross-Dressing Soldiers and Anti-Militarist Rakes
Polly Peachum and the New Naiveté
Pirates and Polly: A Lost Messingkauf Dialogue
The Duchess of Queensberry Becomes Polly Peachum
Macheath Our Contemporary
Swift in Hollywood: Another Messingkauf Dialogue
Swift's Polite Conversation with Falstaff
Henry Fielding, Brechtian Before Brecht
Fielding's London Merchant, and Lillo's
Literarization of Fielding's Plays
Tom Thumb Jones, Child Actress
A World on Fire
Fielding's Cibber Letters: Counterfeit Wit, Scurrility and Cartels
Bertolt Brecht Writes The Beggar's Opera, Fielding Rewrites Polly
Stage Mutineers
Charlotte Charke's Tit for Tat; or Comedy and Tragedy at War: A Lost Play Recovered?
Mrs Charke Escapes Hanging
Garrick and Swift's School for Scandal-With a Digression on Yoko Ono
Brecht Praises Garrick's Hamlet
A Portrait of the Artists as Beggar's Opera Disciples-Including David Garrick, Epic Actor
Walpole in America
The Future of Eighteenth-Century Brechtiana: Polly Exonerated
Conclusion: The Future Promise of an Earlier Age
Eighteenth-Century Brechtians: A Timetable of Events
Bibliography
Index