Ritual has long been a central concept in anthropological theories of religious transmission. Ritual, Performance and the Senses offers a new understanding of how ritual enables religious representations - ideas, beliefs, values - to be shared among participants.

Michael Bull is Professor of Sound Studies at the University of Sussex, UK.Jon P. Mitchell is Reader in Social Anthropology at the University of Sussex, UK.

Introduction Jon P. Mitchell and Michael Bull, University of Sussex, UKRitual Action Shapes Our Brains: an Essay in Neuroanthropology Robert Turner, Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, GermanyPlace-making in the 'Holy of Holies': the Church of the Holy Sepulchre, JerusalemTrevor Marchand, School of Oriental and African Studies, UKThe Importance of Repetition: Ritual as Extension of MindGreg Downey, Macquarie University, AustraliaDivine Intervention: Ontology, Cognition and Performance in Maltese Visionary PhenomenaJon P. Mitchell, University of Sussex, UKMaking 'Sense' in Embodied/Enactive Modes of Actor Training and PerformancePhillip Zarrilli, University of Exeter, UKRamlila and SpaceRichard Schechner, Tisch School of the Arts, NYU, USAExploring the Andean Sensory Model: Knowledge, Memory and the Experience of PilgrimageZoila Mendoza, University of California, Davis, USASensation and TransmissionDavid Howes, Concordia University, CanadaAfterword Sarah Pink, Loughborough University, UKBibliographyIndex