This collection reappraises and retheorizes Marie Corelli's diverse fictional writings and locates them in their contemporary literary and social context. This book was originally published as a special issue of Women's Writing.

Carol Margaret Davison is Professor of English Literature at the University of Windsor in Ontario, Canada. She is the author of History of the Gothic: Gothic Literature, 1764-1824 (2009) and Anti-Semitism and British Gothic Literature (2004). She has edited several books and dozens of articles and book chapters on Gothic literature.

Elaine M. Hartnell is currently teaching English at the University of Tabuk, Saudi Arabia. She is the author of Gender, Religion and Domesticity in the Novels of Rosa Nouchette Carey (2000) and of numerous articles and chapters on Victorian literature, the Gothic, and domestic fiction.

1. Introduction - Marie Corelli: A Critical Reappraisal 2. Moral Uncertainty and the Afterlife: Explaining the Popularity of Marie Corelli's Early Novels 3. The Corellian Romance contra Modernity: The Treasure of Heaven and Innocent 4. ''Je t'aime . . . moi non plus'': Deconstructing Love in Open Confession to a Man from a Woman 5. The Genius in Ardath: The Story of A Dead Self 6. Marie Corelli's Best-selling Electric Creed 7. Morals and Metaphysics: Marie Corelli, Religion and the Gothic 8. Marie Corelli's Barabbas, The Sorrows of Satan and Generic Transition