"Over the twentieth century multi-disciplinary academic studies addressed dress practice and bodily adornment from a variety of perspectives, assessing the question of fashion, though few communities outside the West were awarded this term until the past generation. Anthropologists took an ethnographic stance, with works that from the late 1980s became more attentive to the lived significance of clothing that reflected 'agency, practice and performance' with local and global impact.1 Anthropological studies revealed how clothing resisted and critiqued imperial perspectives, including choices of bodily adornment, integral to community coherence, transforming priorities and social dynamism. These examinations, across world terrains, became richly nuanced with vital studies of evolving clothing systems, including those entangled with decolonization, political changes, and material challenges. The significance of this scholarship affected other disciplinary fields, from history and art history, to cultural and museum studies, with modes of close looking and analysis, as increasing numbers of scholars explored the important matter of 'the social skin'. As Terence Turner observed: 'Decorating, covering, uncovering or otherwise altering the human form in accordance with social notions of everyday propriety or sacred dress, beauty or solemnity, status or changes in status, or on occasion of the violation and inversion of such notions, seems to have been a concern of every human society of which we have knowledge. ... the symbolic stage upon which the drama of socialization is enacted'.2 Studies of clothing revealed its variable efficacy as a tool to discipline colonized peoples, as well as a tool of resistance; while gender practices and the critical resistance of norms were also lively fields of study. Critical analyses of clothing modes opened wideranging, cross-cultural studies on the subject of dress and fashion, attentive to the dialogic relationship between colonies and metropoles and other societal forms"--

1. Global history in the history of fashion, Christopher Breward, Beverly Lemire and Giorgio Riello; Part I. Multiple Origins of Fashion: 2. Towards a history of fashion without origins, BuYun Chen; 3. Fashion in the ancient world, Michael Scott; 4. Fashion on the Silk Roads, 500¿1300, Susan Whitfield; 5. Distinguishing oneself: the European medieval wardrobe, Maria Giuseppina Muzzarelli; 6. The material regulation of fashion: sumptuary laws in the early modern world, Giorgio Riello; Part II. Early Modern Global Entanglements: 7. Magnificence at the royal courts in the Islamic world, Suraiya Faroqhi; 8. Early modern fashion cities: Italy and Europe in a global context, Eugenia Paulicelli; 9. Fashioning possibilities: early modern global ties and entangled histories, Beverly Lemire; 10. Fashion beyond clothing: early modern visual culture of Eurasian dress, Peter McNeil; 11. Fashion and the maritime empires, Meha Priyadarshini; 12. Garments of servitude, fabrics of freedom: dress of enslaved and free diaspora African communities in the mid-Atlantic, c. 1700¿1840, Steeve O. Buckridge; Part III. Many Worlds of Fashion: 13. 'Black cloth': status and identity in Islamic West Africa, c. 1500¿1900, Colleen E. Kriger; 14. Fashion and moral concern in early modern Japan, Timon Screech; 15. Textiles and fashion in Southeast Asia, Ruth Barnes; 16. Fashion in Ming and Qing China, Rachel Silberstein; 17. Everyday fashion in the Ottoman Empire, c. 1600¿1800, James Grehan; 18. Imperialism and fashion: South Asia, c. 1500¿1800, Jagjeet Lally; 19. Fashion systems in the Indian Ocean World, from ancient times to c. 1850, Sarah Fee; 20. Fashion and first peoples in European settler societies, c. 1700¿1850, Melissa Bellanta.