Examining a range of material and theoretical approaches, this is a unique take on theory and the physical reality of theatre that fills a gap in the literary and drama studies field, and which breaks new ground in the study of performance theory.

Simon Shepherd is Director of Programmes at Central School of Speech and Drama, London. His research explores the relationships between cultural and performance theory and theatre history. Recent publications include essays on Joe Orton and modern British drama and politics, and, with Mick Wallis, Drama/Theatre/Performance.

Introduction: Theatrically imagined bodies Part 1: Body and Script 1. Script as a Discipline of the Body 2. Theatre and Bodily Value 3. The Wrong Dog: An account of significant inaction Part 2: In Time and Space 4. Just at That Very Moment 5. Look Out Behind You Part 3: Beyond Integrity 6. Strutting, Bellowing, Muscles and Noise 7. Lolo's Breasts and a Wooden Christ 8. Dissipation Bibliography