This collection reveals the variety of literary forms and visual media through which travel records were conveyed in the long nineteenth century, bringing together a group of leading researchers from a range of disciplines to explore the relationship between travel writing, visual representation and formal innovation.

List of figures
Acknowledgements
Notes on Contributors
1. Introduction: Forms of Travel, Modes of Transport; Brian H. Murray
PART I: MATERIAL COLLECTIONS, VISUAL INTERVENTIONS
2. Topos, Taxonomy, and Travel in Nineteenth-Century Women's Scrapbooks; Clare Pettitt
3. Material (Re)collections of the 'Shiny East': A Late Nineteenth-Century Travel Account by a British Woman in India; Renate Dohmen
4. Photography, Travel Writing and Tactile Tourism: Tauchnitz, Extra-illustration, and ; Victoria Mills
5. Photography and the Real: The Biblical Gaze and the Professional Album in the Holy Land; Simon Goldhill
PART II: LOCATING LITERARY FORM
6. Getting Socially on the Road: The Short, Happy Life of the Anapaestic Tourism Narrative, 1766-1830; A.V. Seaton
7. The Aura of Place: Poetic Form and the Protestant Cemetery in Rome; Alison Chapman
8. In the Steps of Saint Paul; Michael Ledger-Lomas
9. From Transport to Transgression: Alexander Pushkin's Literary Journeys; Nicholas Warner
10. Sublime Transport: Ruskin, Travel, and the Art of Speed; Peter Garratt
Notes
Bibliography
Index

Brian H. Murray, University of Cambridge, UK. Mary Henes, independent scholar, UK. Clare Pettitt, King's College London, UK. Renate Dohmen, Open University, UK. Victoria Mills, University of Cambridge, UK. Simon Goldhill, University of Cambridge, UK. A.V. Seaton, University of Limerick, Ireland Alison Chapman, University of Victoria, Canada Michael Ledger-Lomas, King's College London, UK. Nicholas Warner, Claremont McKenna College, USA. Peter Garratt, Durham University, USA.