List of Illustrations
1. Introduction
2. Fashion is conflict
3. Metaphor and mask
4. The Current State of Fashion - the supremacy of style
5. The Fashion Police - micro-regulating everyday style
6. The Fashion Safehouse - counter-capabilities and com-passions
7. Beyond the state: towards deep fashion
References
Appendix - Fashion Police Manual FM1-15

Otto von Busch is Professor of Integrated Design at Parsons School of Design, USA. He holds a PhD in design from the University of Gothenburg, Sweden, and was previously Professor of Textiles at Konstfack University, Sweden. He has published articles in The Design Journal, Critical Studies in Fashion and Beauty, Fashion Practice, CoDesign Journal, The Journal of Modern Craft, Textile Cloth and Culture, Craft Research, Organizational Aesthetics, Creative Industries Journal and the Journal for Artistic Research, and has contributed chapters on design activism to The Routledge Handbook of Sustainable Product Design (2017), The Routledge Companion to Design Research (2015), The Routledge Handbook of Sustainability and Fashion (2014), as well as other design anthologies.

What if fashion was a state? What kind of state would it be? Probably not a democracy. Otto von Busch sees fashion as a totalitarian state, with a population all too eager to enact the decrees of its aesthetic superiority. Peers police each other and deploy acts of judgment, peer-regulation, and micro-violence to uphold the aesthetic order of fashion supremacy.

Using four design projects as tools for inquiry, Von Busch explores the seductive desires of envy and violence within fashion drawing on political theories. He proposes that the violent conflicts of fashion happen not only in arid cotton fields or collapsing factories, but in the everyday practice of getting dressed, in the judgments, sneers, and rejections of others. Indeed, he suggests that feelings of inclusion and adoration are what make us feel the pleasure of being fashionable-of being seductive, popular, and powerful.

Exploring the conflicting emotions associated with fashion, Von Busch argues that while the current state of fashion is bred out of fear, The Psychopolitics of Fashion can offer constructive modes of mitigation and resistance. Through projects that actively work towards disarming the violent practices of dress, Von Busch suggests paths towards a more engaging and meaningful experience of fashion he calls "deep fashion."