Bültmann & Gerriets
Judged
The Value of Being Misunderstood
von Ziyad Marar
Verlag: Bloomsbury Academic
Taschenbuch
ISBN: 978-1-350-11316-9
Erschienen am 08.08.2019
Sprache: Englisch
Format: 198 mm [H] x 128 mm [B] x 22 mm [T]
Gewicht: 297 Gramm
Umfang: 264 Seiten

Preis: 23,00 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Ziyad Marar is the author of Intimacy (2014), Deception (The Art of Living) (2008) and The Happiness Paradox (2003) and is President of Global Publishing at Sage Publications.



Introduction
Judging in the digital age
A tour of this book
1. The social minefield
Social pain
Shame and guilt
Covering up
Making an impression
2. The right kind of reputation
Earning a reputation
'Nice and in control': the twin peaks of a good reputation
Trying to do both
'Heroes'
3. Unreliable judges
How we judge: moral taste buds
Judgement in context
Moral luck
Can we judge fairly?
Reserving (or revisiting) judgement
4. Breaking Free
Animals and artists
Escaping the potent audience
Washing off the human stain
5. The last judgement
Telling tales
Learning from literature
Significance
Index



Everyone worries about being judged. One foolish tweet can destroy a career, one careless image can ruin a reputation. Yet judgement is inescapable; we cannot be social beings without judging and being judged. We're stuck with judgement and all the awkwardness, embarrassment, shame, guilt and loneliness that can come with that.
Yet all is not lost in this arena of snap verdicts and social misfires. In this sensitive and creative book, Ziyad Marar reclaims judgement proposing that we need it in order to value ourselves and others; we can't live abundantly without the peaks and troughs of judgement. Drawing upon psychology, philosophy, TV, Film, poetry and literature, Marar reveals a world which takes seriously our need to reach out and connect and one where hope, however tentative, can blossom.
There are no easy answers here, but there are moments where our judging can become generous and forgiving; moments where the cracks in the world feel like possibilities rather than dead ends, moments when the light comes in.


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