After all, who has the right to cast a stone against one who has suffered? Cannot repentance wipe out an act of folly? Why should there be one law for me and another for women?
Wilde's 'trivial play for serious people', a sparkling comedy of manners, is the epitome of wit and style. This brilliantly constructed satire with its celebrated characters and much-quoted dialogue turns accepted ideas inside out and is generally regarded as Wilde's masterpiece.
This Methuen Drama Student Edition of the play includes commentary and notes by Lucie Sutherland, Assistant Professor in Drama at the University of Nottingham, UK, which investigate the play through a contemporary lens, bringing in the contributions from queer scholarship and discussions of recent productions of the play.

Oscar Fingal O'Flahertie Wills Wilde (b. Dublin, 1854) was an Irish playwright, who wrote one of the best loved comedies in the English language - The Importance of Being Earnest (1895). A leading wit and conversationalist in London society, his career was destroyed at its height when he was imprisoned for homosexual offences. Wilde was born in Dublin and educated at Trinity College, Dublin, and Magdalen College, Oxford. Settling in London, he became famous for his extravagant dress, long hair, and paradoxical views on art, literature, and morality. His first play, Vera (1880), a tragedy about Russian nihilists, was produced in New York to poor reviews. Success in the theatre came with the elegant drawing-room comedy Lady Windermere's Fan. A Woman of No Importance (1893) was another success. Other works for the theatre were An Ideal Husband (1895) and the biblical Salomé (1896), written in French for Sarah Bernhardt. Wilde flaunted his homosexual affairs, including his ill-fated liaison with Lord Alfred Douglas. Following a celebrated trial in 1895 he was sentenced to two years' imprisonment with hard labour. The sentence led to public humiliation, poor health, and bankruptcy. On his release in 1897 he left for France and remained in exile there until his death in 1900.

CHRONOLOGY
COMMENTARY
Context
Themes
Dramatic Devices
Structure
Language
Performance History
Behind-the-Scenes: Practitioner Interview
Critical Reception and Academic Debate
Suggestions for Further Study
THE IMPORTANCE OF BEING EARNEST
NOTES