An eye for an eye. It's very simple. You choose your homeland like a hyena picking and choosing where he steals his next meal from. Scavenger. Yes you grovel to the feet of Mengistu and when his people spit at you and kick you from the bowl you scuttle across the border. Scavenger.
As a violent civil war rages back home in Ethiopia, teenager Alem and his father are in a bed and breakfast in Berkshire. It's his best holiday ever. The next morning his father is gone and has left a note explaining that he and his mother want to protect Alem from the war. This strange grey country of England is now his home.
On his own, and in the hands of the social services and the Refugee Council, Alem lives from letter to letter, waiting to hear something from his father. Then he meets car-obsessed Mustapha, the lovely 'out-of-your-league' Ruth and dangerous Sweeney - three unexpected allies who spur him on in his fight to be seen as more than just the Refugee Boy.
Lemn Sissay's remarkable stage adaptation of Benjamin Zephaniah's bestselling novel is published here in the Methuen Drama Student Edition series, featuring commentary & notes by Professor Lynette Goddard (Royal Holloway, University of London, UK) that help the student unpack the play's themes, language, structure and production history to date.

Benjamin Zephaniah is a high-profile international author, with an enormous breadth of appeal, equally popular with both adults and children. He is most well known for his performance poetry with a political edge for adults and ground-breaking performance poetry for children, and his novels for young people include Face, Refugee Boy, Gangsta Rap and Teacher's Dead. As well as poetry and novels, he writes plays and music.

CHRONOLOGY
CONTEXT & THEMES

Cultural and Theatrical Contexts
Themes
Dramatic Devices
Performance History
Trends in Scholarly and Popular Debate
ADDITIONAL READING
REFUGEE BOY
NOTES