Bültmann & Gerriets
Jews in Suits
Men's Dress in Vienna, 1890-1938
von Jonathan C Kaplan-Wajselbaum
Verlag: Bloomsbury Academic
Taschenbuch
ISBN: 978-1-350-24421-4
Erscheint am 26.12.2024
Sprache: Englisch
Format: 234 mm [H] x 156 mm [B] x 25 mm [T]
Gewicht: 454 Gramm
Umfang: 288 Seiten

Preis: 44,00 €
keine Versandkosten (Inland)


Der Verlag hat einen Erstverkauftag festgelegt. Jetzt bestellen und wir liefern zum 26.12.2024 aus.

Der Versand innerhalb der Stadt erfolgt in Regel am gleichen Tag.
Der Versand nach außerhalb dauert mit Post/DHL meistens 1-2 Tage.

44,00 €
merken
klimaneutral
Der Verlag produziert nach eigener Angabe noch nicht klimaneutral bzw. kompensiert die CO2-Emissionen aus der Produktion nicht. Daher übernehmen wir diese Kompensation durch finanzielle Förderung entsprechender Projekte. Mehr Details finden Sie in unserer Klimabilanz.
Inhaltsverzeichnis
Biografische Anmerkung
Klappentext

List of Figures
Acknowledgements
A Note on Place Names
Introduction
1. Europe's Third Most Jewish City
2. Fashioning the Self, Dressing Society: Dress and Identity in Europe's Third Jewish Capital
3. Refashioning the Self: Acculturation, Assimilation, and Clothing
4. Strangers in the City: "Rootless" Jews and Urbanity in Vienna
5. Der kleine Cohn: Dress and the Function of Mocking through Caricature
6. The Man in the Suit: Jewish writers and their Clothing
Conclusion
Bibliography
Index



Jonathan C. Kaplan-Wajselbaum is an honorary adjunct fellow at the University of Technology Sydney and education officer at the Sydney Jewish Museum. He holds a PhD in dress and design history from the Imagining Fashion Futures Research lab at the University of Technology Sydney, and has published on the intersections between dress, acculturation, and Jewish identity.



Shortlisted for the Leslie and Sophie Caplan Award for Jewish Non-Fiction
Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods - both the renowned cultural luminaries and their many anonymous coreligionists - all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched.
Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.