Art and Eros are always superimposed, don't you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.

1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him.
Vincent Price is about to walk out on the film, and Michael Reeves' career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
This edition is published to coincide with the world premiere at the Hampstead Theatre, London, in February 2024.

John Logan received the Tony, Drama Desk, Outer Critic Circle and Drama League awards for his play Red. This play premiered at the Donmar Warehouse in London and at the Golden Theatre on Broadway. Since then Red has had more than 200 productions across the US and has been presented in over 30 countries. He is the author of more than a dozen other plays including Peter and Alice, I'll Eat You Last: A Chat with Sue Mengers and Never the Sinner. He also co-wrote the book for the musical The Last Ship. As a screenwriter, Logan has been three times nominated for the Oscar and has received a Golden Globe, BAFTA, WGA, Edgar, and PEN Center award. His film work includes Skyfall, Spectre, Hugo, The Aviator, Gladiator, Rango, Alien: Covenant, Genius, Coriolanus, Sweeney Todd, The Last Samurai, Any Given Sunday and RKO 281. He created and produced the television series Penny Dreadful for Showtime.