Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century.

Jonathan Gray is Hamel Family Distinguished Chair in Communication Arts at University of Wisconsin-Madison. He is author of Dislike-Minded: Media, Audiences, and the Dynamics of Taste, Television Studies (with Amanda D. Lotz), Show Sold Separately: Promos, Spoilers, and Other Media Paratexts, Television Entertainment, and Watching with The Simpsons: Television, Parody, and Intertextuality, and co-editor of numerous books including Keywords for Media Studies (with Laurie Ouellette) and A Companion to Media Authorship (with Derek Johnson).

Derek Johnson is Professor of Media and Cultural Studies in the Communication Arts Department at the University of Wisconsin-Madison. He is the author of Transgenerational Media Industries: Adults, Children and the Reproduction of Culture and Media Franchising: Creative License and Collaboration in the Culture Industries. He has also edited or co-edited several books, including most recently From Networks to Netflix: A Guide to Changing Channels and Point of Sale: Analyzing Media Retail (with Daniel Herbert).

1. Television Programs Go to the Movies: Crossing Boundaries in Exhibition Spaces 2. Television's Detractors Go to the Movies: Cinematic Representations of Television 3. Television Stories Go to the Movies: Strategies of Adaptation 4. Television Producers Go to the Movies: Transforming Professional Identities