This volume addresses topics such as trans-and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; Shakespeare and Global justice as well as a section on how to approach the teaching of these topics.

Christy Desmet was Josiah Meigs Distinguished Professor at the University of Georgia in Athens, Georgia, USA, and co-general editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Sujata Iyengar is Professor of English at the University of Georgia in Athens, Georgia, USA, and co-founder and co-editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Miriam Jacobson is Associate Professor of English at the University of Georgia in Athens, Georgia, USA.

Introduction: Shakespearean Appropriation in Inter/National Contexts

Sujata Iyengar and Miriam Jacobson

Part 1: Transcultural and Intercultural Shakespeares

1. "the great globe itself . . . shall dissolve": Art after the Apocalypse in Station Eleven

Sharon O'Dair

2. Others Within: Ethics in the Age of Global Shakespeare

Alexa Alice Joubin

3. "You say you want a revolution"? Shakespeare in Mexican [Dis]Guise

Alfredo Michel Modenessi

4. "Don't it Make My Brown Eyes Blue": Uneasy Assimilation and the Shakespeare-Latinx Divide

Ruben Espinosa

5. "To Appropriate these White Centuries": James Baldwin's Race Conscious Shakespeare

Jason Demeter

6. Bishonen Hamlet: Stealth-Queering Shakespeare in Manga Shakespeare: Hamlet

Brandon Christopher

7. Edmund Hosts William: Appropriation, Polytemporality, and Postcoloniality in Frank McGuinness's Mutabilitie

Barbara Sebek

8. Shakespeare Appropriation and Queer Latinx Empowerment in Josh Inocéncio's Ofélio

Katherine Gillen

9. Calibán Rex? Cultural Syncretism in Teatro Buendía's Otra Tempestad

Jennifer Flaherty

10. Fooling Around with Shakespeare: The Curious Case of "Indian" Twelfth Nights

Poonam Trivedi

Part 2: Decolonizing Shakespeares

11. "Flipping the Turtle on Its Back": Shakespeare, Decolonization, and the First Peoples in Canada

Daniel Fischlin

12. Nomadic Shylock: Nationhood and its Subversion in The Merchant of Venice

Avraham Oz

13. "What country, friend, is this?" Carlos Díaz's Cuban Illyria

Donna Woodford-Gormley

14. Inheriting the Past, Surviving the Future

Adele Seeff

15. The Politics of African Shakespeare

Jane Plastow

16. Da Kine Shakespeare: James Grant Benton's Twelf Nite O Wateva!

Theresa M. DiPasquale

Part 3: World Pedagogical Shakespeares

17. Make New Nations: Shakespearean Communities in the Twenty-First Century

Sheila T. Cavanagh

18. Appropriating Shakespeare for Marginalized Students

Jessica Walker

19. Beyond Appropriation: Teaching Shakespeare with Accidental Echoes in Film

Matthew Kozusko

20. Teaching Global Shakespeare: Visual Culture Projects in Action

Laurie Osborne

Part 4: Regional, Local, and "Glocal" Shakespeares

21. Othello in a Prevailingly Homogenous Ethnic Society

Krystyna Kujawinska Courtney

22. Shakespeare in Ireland: 1916 to 2016

Nicholas Grene

23. Shakespeare's Presence in the Land of Ancient Drama: Karolos Koun's Attempts to Acculturate Shakespeare in Greece

Tina Krontiris

24. "To Be/Not to Be": Hamlet and the Threshold of Potentiality in Post-Communist Bulgaria

Kirilka Stavreva and Boika Sokolova

25. What's in a Name? Shakespeare and Japanese Pop Culture

Ryuta Minami

26. Subjugating Arab Forms to European Meters

David Moberly

27. Shakespeare's Anashid (translation)

David Moberly

28. Paul Robeson, Margaret Webster and their Transnational Othello

Robert Sawyer

Part 5: Transmedia Shakespeares

29. Ecologies of the Shakespearean Artists' Book

Sujata Iyengar

30. Falstaff and the Constructions of Musical Nostalgia

Stephen Buhler

31. The Moor Makes a Cameo: Serial, Shakespeare and White Racial Frame

Vanessa Corredera

32. De-emphasizing Race in Young Adult Novel Adaptations of Othello

Keith Botelho

33. Resisting History and Atoning for Racial Privilege: Shakespeare's Henriad in HBO's The Wire

L. Monique Pittman

34. Indigenizing Shakespeare: Haider and the Politics of Appropriation

Amrita Sen

35. Ovidian Appropriations, Metamorphic Illusion, and Theatrical Practice on the Shakespearean Stage

Lisa S. Starks

36. Determined to Prove a Villain? Appropriating Richard III's Disability in Recent Graphic Novels and Comics

Marina Gerzic

37. Some Tweeting Cleopatra: Crossing Borders On and Off the Shakespearean Stage

Louise Geddes

38. The Sandman as Shakespearean Appropriation

Miriam Jacobson

39. Shakespeare's Scattered Leaves: Mutilated Books, Unbound Pages, and the Circulation of the First Folio

Christy Desmet