Looking at a broad range of plays written between the 1590s and the 1630s - satirical master-pieces like Eastward Ho, A Trick to Catch the Old One, The Dutch Courtesan and The Devil is an Ass, blends of romance and satire like The Shoemaker's Holiday and The Knight of the Burning Pestle, and bourgeois oddities like The London Prodigal - this volume re-examines early modern city comedy in the light of recently foregrounded historical contexts such as early modern capitalism, urban culture, the Protestant Reformation, and playhouse politics. Further, it explores the interrelations between city comedy and Shakespearean comedy both from the perspective of author rivalry and in terms of modern adaptations: the twenty-first-century concept of 'popular Shakespeare' (above all in the movie sector) seems to realign the comparatively time- and placeless Shakespearean drama with the gritty, noisy and bustling urban scene that has been city comedy's traditional preserve.

Contents: Preface; Introduction: 'Our scene is London...', Angela Stock and Anne-Julia Zwierlein. Part I Bourgeois Domestic Drama: Middletonian families, Alan Brissenden; Doolittle's father(s): Master Merrythought in The Knight of the Burning Pestle, Matthias Bauer. Part II The Culture Of Credit: Crises of credit: monetary and erotic economies in the Jacobean theatre, Richard Waswo; Shipwrecks in the city: commercial risk as romance in Early Modern city comedy, Anne-Julia Zwierlein. Part III Playhouse Politics: Patterns of audience involvement at the Blackfriars Theatre in the early 17th century: some moments in Marston's The Dutch Courtesan, David Crane; 'Within the compass of the city walls': allegiances in plays for and about the city, Andrew Gurr. Part IV Civic Religion: 'Something done in honour of the city': ritual, theatre and satire in Jacobean civic pageantry, Angela Stock; 'Thou art damned for alt'ring thy religion': the double coding of conversion in city comedy, Alizon Brunning. Part V City Comedy And Shakespeare: The London Prodigal as Jacobean city comedy, Dieter Mehl; What city, friends, is this?, Ruth Morse. Part VI Shakespearean City Comedy Today: Rewriting city comedy through time and cultures: The Taming of the Shrew - Padua to London to Padua US, Robyn Bolam; Hamlet in 2000: Michael Almeryda's city comedy, Deborah Cartmell; Bibliography; Index.