• FrontMatter,
• Contents,
• Acknowledgments,
• I. Introduction: Jonson's Classics,
• II. Virtue and Vice: Characterization in The Early Plays,
• III. Profit, Delight, and Imitation: Theory and Practice in the Middle Comedies,
• IV. Roman Moral Psychology and Jonson's Dramatic Forms,
• V. Jonson and the Roman Social Ethos,
• VI. The Late Jonson,
• Notes,
• Index,

Katharine Maus explores the biographical reasons for Jonson's preference for particular Latin authors; the effects of Roman moral and psychological paradigms on his methods of characterization and generic choices; the connection between his critical theory and artistic practice; and the impact of Roman social theory on his portrayal of communities and on his peculiar relationship with his audiences.
Originally published in 1985.
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