Bültmann & Gerriets
Neilson Plays: 2
Edward Gant's Amazing Feats of Loneliness!; The Lying Kind; The Wonderful World of Dissocia; Realism
von Anthony Neilson
Verlag: Bloomsbury Academic
Reihe: Contemporary Dramatists
Taschenbuch
ISBN: 978-1-4081-0680-8
Erschienen am 04.06.2008
Sprache: Englisch
Format: 201 mm [H] x 129 mm [B] x 29 mm [T]
Gewicht: 297 Gramm
Umfang: 368 Seiten

Preis: 30,00 €
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Biografische Anmerkung
Inhaltsverzeichnis
Klappentext

Anthony Neilson (b. 1967, Edinburgh) is a Scottish playwright and director. His breakthrough show Normal: The Dusseldorf Ripper was produced at the Edinburgh Theatre Festival in 1991. Other shows include The Wonderful World of Dissocia (2004), Realism (2006), Edward Gant's Amazing Feats of Loneliness (2009) and Orson Welles in the Land of the Peas (2010). He also took part in the Bush Theatre's Sixty Six in 2011.



Edward Gant's Amazing Feats of Loneliness!; The Lying Kind; The Wonderful World of Dissocia; Realism



In the 1990s playwright Anthony Neilson garnered a reputation for hard-hitting, morally disturbing plays that saw him labelled as one of the 'In Yer Face' dramatists who emerged from that decade.


This second volume of plays showcases the comic, surreal and gloriously off-kilter side of his more recent work. Edward Gant's Amazing Feats of Loneliness! (Theatre Royal, Plymouth, 2002) mixes Victorian melodrama with a catalogue of grotesque comic tales; The Lying Kind (Royal Court, 2002), a black farce set at Christmas involving two hapless policeman who must break news of tragedy to an elderly couple, 'often reduced much of the audience to tears of laughter' (Financial Times). Produced originally for the 2004 Edinburgh International Festival, The Wonderful World of Dissocia wowed critics and audiences alike. A hugely original play inspired by Alice in Wonderland, it is both magical and moving and confirmed Neilson as one of the major voices in contemporary British Theatre. Realism premiered at the Edinburgh International Festival in 2006. It follows the life of one man during an ordinary day but veers off to become a deliriously surreal trip inside his wayward imagination. It was described by the Guardian as a 'bold and utterly distinctive all-singing, all-dancing show, like nothing else you'll ever see'.


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