Bültmann & Gerriets
Rose
von Martin Sherman
Verlag: Bloomsbury UK
Reihe: Modern Plays
E-Book / EPUB
Kopierschutz: Adobe DRM

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ISBN: 978-1-4081-7807-2
Auflage: 1. Auflage
Erschienen am 03.02.2014
Sprache: Englisch
Umfang: 48 Seiten

Preis: 13,49 €

Biografische Anmerkung
Klappentext

Martin Sherman was born in Philadelphia, educated at Boston University and now lives in London. His early plays include Passing By, Cracks and Rio Grande, all originally presented by Playwrights Horizons in New York. Bent premiered at the Royal Court in 1979, transferred to the Criterion Theatre and was then presented on Broadway, where it received a Tony nomination for Best Play and won the Dramatist Guild's Hull-Warriner Award. Bent has been produced in over forty-five countries, and has been turned into a ballet in Brazil, and, in 1989, was revived at the National Theatre. It has been voted one of the NT2000 One Hundred Plays of the Century. His next plays were Messiah (Hampstead and Aldwych Theatres, 1983), When She Danced (King's Head, 1988; Gielgud, 1991), A Madhouse in Goa (Lyric Hammersmith and Apollo, 1989), Some Sunny Day (Hampstead, 1996) and Rose (National Theatre, 1999). Rose received an Olivier nomination for Best Play and transferred to Broadway the following season. Sherman has written an adaptation of E. M. Forster's A Passage to India for Shared Experience (Riverside Studios, 2002; Lyric Hammersmith, 2004) and a new version of a Luigi Pirandello play, Absolutely! (Perhaps) (Wyndhams, 2003) He has also written the book for the musical The Boy From Oz which opened on Broadway in 2003. His screenplays include The Clothes in the Wardrobe (US title: The Summer House), Alive and Kicking, Bent, Callas Forever and The Roman Spring of Mrs. Stone. Martin Sherman Plays: One was published by Methuen Drama in 2004.



I'm eighty years old. I find that unforgivable and suddenly it's a millennium and I stink of the past century, but what can I do?

Rose is a survivor. Her remarkable life began in a tiny Russian village, took her to Warsaw's ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavoured nights in Miami beach.
The play is both a sharply drawn portrait of a feisty Jewish woman and a moving reminder of some of the events that shaped the century.

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