The essays collected here explore themes and trends within Gerhard's work and comprise the first full length scholarly work on this composer. Among the themes presented is the way Gerhard's work was shaped by his Catalan heritage and his education under Pedrell and Schoenberg. The influence of these and other cultural and literary figures is an important underlying theme that ties essays together. This companion contains the first rigorous study of his electronic music as well as the first accurate catalogue of it. Gerhard's ground-breaking output of incidental music for radio and the stage is also given detailed consideration.

Contents: Preface; Introduction, Monty Adkins and Michael Russ; Early works and life of Roberto Gerhard, Mark E. Perry; 'Unquestionably decisive': Roberto Gerhard's studies with Arnold Schoenberg, Diego Alonso Tomás; 'Promoting and diffusing Catalonian musical heritage': Roberto Gerhard and Catalan folk music, Julian White; Roberto Gerhard's ballets: music, ideology and passion, Leticia Sánchez de Andrés; Roberto Gerhard, Shakespeare and the Memorial Theatre, Samuel Llano; Music as autobiography: Roberto Gerhard's Violin Concerto, Michael Russ; Two men in tune: the Gerhard-Camus relationship, Belén Pérez Castillo; Roberto Gerhard's serial procedures and formal design in String Quartets Nos 1 and 2, Rachel E. Mitchell; Composing with sets: Roberto Gerhard's Concerto for Piano and String Orchestra, Michael Russ; Roberto Gerhard the serial symphonist, Darren Sproston; In search of a 'third way', Monty Adkins; The influence of electronic music on Roberto Gerhard's Symphony No 4 'New York', Carlos Duque; Roberto Gerhard's BBC sound compositions, Gregorio Garciá Karman; Select bibliography; Index.

Monty Adkins is Professor of Experimental Music at the University of Huddersfield. His writings deal extensively with the aesthetics and perception of experimental electronic music as well as proposing means of analysing this work. He has lectured on Gerhard's work in New York, Stockholm, Ljubljana and Montreal. Michael Russ is Emeritus Dean and Professor of Music at the University of Huddersfield. He has published on composers including Bartok, Musorgsky and Webern as well as set theory and Schenkerian analysis. As a National Teaching Fellow he has also published on Teaching and Learning in higher education.