TRADITIONS IN AMERICAN CINEMA
Series Editors: Linda Badley and R. Barton Palmer
This series explores a wide range of traditions in American cinema which are in need of introduction, investigation or critical reassessment. It emphasizes the multiplicity rather than the supposed homogeneity of studio-era and independent filmmaking, making a case that the American cinema is more diverse than some accounts might suggest.
'This is an important and comprehensive study of Hollywood cinema and its representation of the impact of 9/11. In particular McSweeney's investigation of genre enables the reader to explore ideological connections between the explicit (United 93) and implicit text (Batman Begins) and
question the notion of the "War on Terror".'
Professor Karen Randell, University of Bedfordshire, co-editor of Reframing 9/11: Film, Popular Culture and the War on Terror (2010)
Popular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film?
American film in the first decade of the 21st century became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or challenge it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed this most tumultuous of decades in particularly influential ways.
This compelling and theoretically informed exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film through a range of genres - war films, superhero movies, historical dramas, horror and even alien invasion films - each revealing a cinema not of escapism but one that engages profoundly with the turbulent era in which their films were made. Through a vibrant analysis of films as diverse as War of the Worlds (2005), United 93 (2006), 300 (2007), The Bourne Ultimatum (2007), Zero Dark Thirty (2012), Marvel Avengers Assemble (2012) and many others, The 'War on Terror' and American Film explores the influence of the cultural trauma of 9/11 and the subsequent 'War on Terror' on American cinema in the first decade of the new millennium and beyond.
Terence McSweeney is Lecturer in Film and Television Studies, Southampton Solent University.

Terence McSweeney is Senior Lecturer in the School of Media Arts and Technology, Southampton Solent University.

List of Illustrations; Acknowledgements; Introduction; 1. The Lives of Others: Vulnerability in Post 9/11 American Cinema; 2. Boots on the Ground: the New Millennial Combat Film as Cultural Artefact; 3. "Masters of our own Security": Redemption Through Violence in the Post 9/11 Action Genre; 4. Turning to the Dark Side: Questioning American Mythology in the Superhero Genre; 5. Remaking 9/11: Imagining the Unimaginable in the Alien Invasion Film; 6. Decade of the Dead: Zombie Films as Allegory of National Trauma; 7. The Rise and Fall of Empires: The 'War on Terror' as Allegorical Moment in Historical Film; Conclusion; Works cited; Index.