[headline] Explores the Canada-US border through a variety of theoretical, cultural and literary approaches Moving beyond border studies paradigms dominated by the Mexico-US border, this collection aims to contextualise cultures and communities within a wider global understanding of border thinking. It builds on recent considerations of, and changes to, the cultural life of (and across) the Canada-US border, to prioritise theoretical reflections on representations, identities and policies. Approaching the border as a place, a theory, a practice and a process, this collection draws attention to the ways in which aspects of the Canada-US border itself (re)frame discussions of the borderlands as sites that continue to evoke, invoke and provoke ideas of nation and post nationalism; negotiation and imposition; resistance and refusal. [bios] David Stirrup is Professor of American Literature and Indigenous Studies at the University of York, UK. He is the author of Visuality and Visual Aesthetics in Contemporary Anishinaabe Writing (2020) and Louise Erdrich (2010), and co-editor of Tribal Fantasies: Native Americans in the European Imaginary (2012, with James Mackay), Parallel Encounters: Culture at the Canada-US Border (2013, with Gillian Roberts), and Enduring Critical Poses: Beyond Nation and History (2021, with Gordon Henry, Jr. and Margaret Noodin). Jeffrey Orr is Associate Professor of Digital Communication and Associate of the Centre for Global Development at the University of the Fraser Valley in British Columbia, Canada. His research interests include visual rhetoric, border studies, and micro-rhetorical communication. His current research examines the rhetoric of governmental health communication, and public rhetoric pertaining to border policy on the Arctic.

David Stirrup is Professor of American Literature and Indigenous Studies at the University of York, UK. He is the author of Visuality and Visual Aesthetics in Contemporary Anishinaabe Writing (Michigan State UP, 2020) and Louise Erdrich (Manchester University Press, 2010), and co-editor of Tribal Fantasies: Native Americans in the European Imaginary (Palgrave, 2012, w. James Mackay), Parallel Encounters: Culture at the Canada-US Border (Wilfrid Laurier UP, 2013, w. Gillian Roberts), and Enduring Critical Poses: Beyond Nation and History (SUNY Press, 2021, w. Gordon Henry, Jr. and Margaret Noodin). He is Co-Principal Investigator of Métis: a Global Indigenous People, funded by the AHRC (2023-2025, with Chris Andersen); Indigenous Knowledges: a Digital Residency Exchange and Best Practices Pilot, funded by the AHRC-NEH (2022-2023, with Jennifer Jenkins); Beyond the Spectacle: Native North American Presence in Britain, funded by the AHRC (2017-2021, with Jacqueline Fear-Segal); and of the Culture and the Canada-US Border international research network, funded by the Leverhulme Trust (2012-2015, with Gillian Roberts). He is a founding editor of the open access journal of Contemporary Indigenous Literature, Transmotion.

Jeffrey Orr is Associate Professor of Digital Communication at the University of the Fraser Valley in British Columbia, Canada. His research interests include visual rhetoric, border studies and micro-rhetorical communication. His current research examines the rhetoric of governmental health communication, and public rhetoric pertaining to border policy on the Arctic.