Betty Kaklamanidou is a Fulbright scholar and Assistant Professor in Film and Television History and Theory at Aristotle University, Thessaloniki, Greece. She is the author of Genre, Gender and the Effects of Neoliberalism: The New Millennium Hollywood Rom Com (2013) and two books in Greek on adaptation theory and the history of the Hollywood rom-com. Betty is also the co-editor of Politics and Politicians in Contemporary U.S. Television (forthcoming, 2016), The Millennials on Film and Television (2014), HBO's "Girls" (2014), and The 21st Century Superhero (2010). Betty's articles have appeared in Literature/Film Quarterly, Celebrity Studies and The Journal of Popular Romance Studies.

With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film.
The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio­-cultural landscape?

Chapter 1: The "Disguised" Political Film: Introduction
Chapter 2: Political Comedies
Chapter 3: Political Thrillers and U.S. Foreign Policy
Chapter 4: Political History Dramas and U.S. Domestic Policy
Chapter 5: Political Films From Antiquity to the 20th Century
Chapter 6: Behind the Scenes of the Disguised Political Film Genre
Chapter 7: Epilogue
Works Cited
Index